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“Your first 10,000 photographs are your worst.”
Working towards that number changes the way you see the world. Living in this crowded-crumbling, sexy-scary, crazy-noisy, feast-of-vision city surely helps a bit. Keep your eyes peeled and trigger-finger ready.



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“When I was your age television was called books!” Peter Faulk neatly sums up the written word’s apparent fall from grace. Yes, the telly has of late been dating smarter girls. But there’s more than one way to peel a couch potato. Turn it off and turn the page.


/sound + vision

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“A film is more like music than like fiction.”
Indeed, they are birds of a feather– a murder of crows pecking away at yoga, politics and walks in the park to carve out a life of blurred vision, tinitus and narrow cultural vocabulary. That’s the way, uh huh, I like it.


/ the daily muse

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Music Industrial Index: Red November EP Available Now


Hi musical friends, it’s been a while since the last update, but the family has been hella busy the past two months, bidding many joyful/tearful goodbyes to Brooklyn and beginning to populate our calendar in Atlanta with work, music and social encounters. So my latest musical endeavors are a sort of farewell to BKLYN and a big howdy to ATL.

As some of you may know, for the past two years I’ve been learning and honing new skills in music composition, production and DAW under the moniker Music Industrial Index. The product of that progress is the Red November EP. Although I arranged and produced the record, this time around it is not a one-man show, as I was lucky to collaborate on two tracks with dear friends and members of perennial The Go-Kartel, Rob Grover and Kevin Brady. Rachel Carey has made her way into the mix by way of lead and backing vocals, with lovely results.

The 5-track recording consists of three vocal numbers and two instrumental ambient pieces arranged and produced by yours truly. Both the title track and “Christopher’s Sister” were co-written by Rob Grover and myself, featuring Kevin Brady and Rachel Carey on lead and backing vocal. The third vocal track is an interpretation of Kate Bush’s Running Up that Hill, featuring lead vocals by Mauricio Carey (gulp!) and Rachel again on backing vox. On this particular track I stretched myself perhaps beyond my capabilities – I am no singer (so be kind :). But recording and producing my own vocal tracks  allowed me to get a sense of how to build vocal tracks in a home studio, and, ultimately, learn the tools available that enabled me to occasionally cheat my way into tunefulness :)

It’s been extremely rewarding to have had the opportunity to remotely make music with close friends and family, now that all involved have spread out across the globe, with Rob in Frankfurt, Germany, the Careys freshly settled in Atlanta, Georgia and Kevin remaining in New York City where he continues to command admiration and respect in both advertising and music-making. I miss these boys dearly but grateful for the technology that allows us to continue to make music together in some fashion.

Hope you enjoy!


side a

side b

RED NOVEMBER written by Robert Grover and Mauricio Carey
lead vocal: Kevin Brady
backing vocals: Rachel Carey, Kevin Brady, and Mauricio Carey

CHRISTOPHER’S SISTER written by Robert Grover and Mauricio Carey
lead vocal: Robert Grover
backing vocal: Rachel Carey

RUNNING UP THAT HILL written by Kate Bush; copyright © 1985 by Kate Bush Music Publishing Ltd.
lead and backing vocals: Mauricio Carey and Rachel Carey

all other tracks written by Mauricio Carey
mastered by Justin Colletti at Joe Lambert Mastering
cover art by Mauricio Carey at c23creative.com

recorded, arranged, and produced by Mauricio Carey in the office/bedroom, Brooklyn, NY, 2016–17, except “Red November” and “Christopher’s Sister,” recorded at the kitchen table, Frankfurt am Main, Germany, and in the office/bedroom, Brooklyn, NY, 2017

special thanks to Joe Lambert, Justin Colletti and Diana Zinni at Joe Lambert Mastering and to Knight Berman, Kevin Brady and Rachel Carey for their generous contributions to this record.

Learning Something New: Music Industrial Index

Hello friends, it’s been quite a while since I’ve sent any music news, so here goes.

Rob’s departure to Germany in 2014 has left a huge whole in my musical life, though Kevin and I are still working together happily and productively, this time alongside a bright young whippersnapper named Spencer LaVallee. We’re keeping The Go-Kartel moniker until an alternate comes along that is more suited for our new musical direction (free-form Jazz/Fusion). OK, not really, but… Perhaps we’ll see you at some NYC venue soon.

In the meantime, I wanted to learn the piano, at least enough to enable me to, as Ben Curtis put it, “make bad music from home.” So I met Kevin for a cocktail at Weather Up, where he drew a diagram of The Kevin Method to help me see the light:



This worked like The Matrix. I now know the piano.

Also, since The Go-Kartel’s wonderful experience in Dave Hollinghurst’s studio to record The Go-Kartel’s debut EP Away, I’d wanted to learn my way around a digital audio workstation. So I visited Knight on the Jersey Shore for a late-night marathon tutorial in Garage Band and Logic.

I am now a shaper of sound. Everyone should have a Knight in their life.

Over the past eight months I’ve drenched my ears in Tony Visconti, Brian Eno and Robert Fripp and have begun piecing together my first rudimentary compositions. I should be so lucky that the product of my efforts sound remotely like these gentlemen’s accomplished works. But the spirit of their recordings is in part responsible for the way my first release of electronic music has taken shape.

Somewhere between naive and cinematic, Music for Drive-Ins is a 34-minute collection of incidental music. Perfect for your morning ablutions or evening cocktails. It plays well on repeat.

I composed, performed and produced the tracks that make up this humble release. While some tracks are decidedly beat-centric, as one might imagine from a drummer, I’ve tried to avoid that corner as much as possible and concentrate on sound sculpting.

Rob, Kevin and I still managed to collaborate on one track remotely (“Something Like Sofia”). Rob provided drums and a beautiful guitar melody while Kevin added typically intimate lyrics and vocals. I endeavored to then flesh out something that would be at home on the soundtrack to Lost In Translation. Whether or not we achieved that goal is for you to decide. But best online casinos we’re all pretty pleased with the results.

Take a listen woncha? I suggest listening in sequence, as the short compositions make up a larger and hopefully cohesive whole.

Hope you enjoy it.


You can listen/download all of Music for Drive-Ins by the newly-christened Music Industrial Index here:



Recorded July 2015 – March 2016 in the office/bedroom, Brooklyn, NY

All tracks written, performed and produced by Mauricio Carey except Something Like Sofia, written by Rob Grover and Mauricio Carey. Lyrics and vocals for Something Like Sofia by Kevin Brady.

Cover art by c23 | c23creative.com

Thanks to Knight Berman Jr. (The Marble Tea) and Dave Hollinghurst (Steve Shiffman and the Land of No) for technical advice and support.

The piano lesson that would initiate this project was administered on a cocktail menu by Kevin Brady at Weather Up Cocktail Bar, Summer 2015, Brooklyn, NY. No actual keyboard of any kind was present.

Special thanks to and for Rachel + Abra Carey for dancing along…

  1. Sunday 01.29.2017 | 12:15 EST

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  2. Saturday 03.26.2016 | 3:39 EST

    David Lehman says:

    Let’s make garage audio enemas great again!

The Go-Kartel’s “Away” EP Available Now!

The Go-Kartel Away EP

As some of you may well know, TGK has been working on their debut recording since March of this year. Sixteen studio days spread out over eight months. That’s about as fast as three 40-something dads (actual or expecting) can move these days, but we have at last crossed the finish line.

We are very proud to announce the release of the “Away” EP: 22 minutes of first-rate power-pop. It is currently available on iTunes, GooglePlay, Amazon and Spotify, with more digital retailers being added over the next few days. We hope you enjoy it!


Kevin, Rob and Mauricio, a.k.a TGK

Listen here:

Download “Away” on iTunes

Find Us on Spotify



Download on Bandcamp

Many thanks to Rachel, Tal, Mareike, Quinn and Leni for their keen ears, undying patience and loving support. 


The Go-Kartel is:
Kevin Brady: vocals, guitar, accordion, keyboards
Mauricio Carey: drums, percussion
Robert Grover: bass guitar

Words by Kevin Brady
Music by The Go-Kartel

Produced by The Go-Kartel
Engineered by Dave Hollinghurst

Recorded March – September 2014 at Sunset7 Studio, Sunset Park, Brooklyn

Background vocals on “Away” recorded by Dave Robertson at Dangly Studios, Williamsburg, Brooklyn
Lead vocals on “Cannonball” recorded by Brian Goodheart at Sonic Union Studios, New York, NY

Mixed by The Go-Kartel w/ Dave Hollinghurst
Mastered by Joe Lambert at JLM Sound, Brooklyn, NY

Dave Hollinghurst plays 12-string guitar on “This”
Ben Curtis plays additional guitars on “If He Ever Breaks,” “280-Z” and ”Close Your Eyes”
Steve Curtis and Erika Simonian sing backing vocals on “Cannonball” | littlesilvermusic.com

Art Direction by The Go-Kartel
Cover photo and sleeve design by Mauricio Carey for c23 | c23creative.com

© 2014 The Go-Kartel

Instagram #tgk #thegokartel

“Away” is also available at these fine digital retailers:



The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions The Go-Kartel Sunset Sessions

The Go-Kartel Rocks the Shop

Thank you all for coming out to Rock Shop last night. We had a blast and hope you did too!

Many thanks to Little Silver for putting the show together and to Steve Shiffman & The Land of No for bringing Guitar God caliber Rock to us all.

  1. Friday 07.25.2014 | 8:47 EST

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  2. Friday 11.22.2013 | 3:16 EST

    Todd says:

    You guys sound great, wish I could’ve been there!

The Go-Kartel Live@Rock Shop | Bklyn

The Go-Kartel, Live @ Rock Shop, Nov 21 2013

They’re back, and they’ve brought friends.

Or rather, they are riding on the coat tails of  friends.

Little Silver has put together a great show at Rock Shop in Brooklyn that will include Steve Shiffman & The Land of No along with the world-renowned Go-Kartel. So come on out, enjoy a few cocktails on the rooftop deck then join us for a night of rock you’ll never forget. For a while.

Thursday, Nov 21, 2013

Advance Tickets: 8$
At the Door: $10

Set times:

8:00 The Go-Kartel
9:00 Little Silver
10:00 Steve Shiffman & The Land of No

249 4th Ave between Union + Garfield, Bklyn 11215

Ok, Fine. Follow Me on Instagram :)

Yes, I’m late to the game. But better late than, well… whatever.


  1. Thursday 11.14.2013 | 8:42 EST

    シャネル バングル says:

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Upstate State of Mind

A beautiful old farm house on 367 acres of rolling hills. The persistent rain has finally let up, brightening the country landscape. We are in the old open barn, where a decaying baby grand sits in a dusty corner by the window. Kev plays, the five of us sing Joe Jackson only nominally off-key. A butterfly rouses, opens up to the window light…

















  1. Sunday 01.25.2015 | 7:48 EST

    Nico says:

    J’adore ces quelques photos! Elles sentent bon le bonheur! :)

  2. Wednesday 04.23.2014 | 9:46 EST

    Debleh says:

    Oh, how I’m itching to express how proud I am of you as I peruse your site! But that descriptor risks sounding condescending…. which is the diametric opposite emotion I’d like to convey. So instead, I’ll rip a page out of your once-upon-a-time, very old book and say, “Goddamn, were my 17 year old instincts impeccable when they lured you into being my first love!” In all seriousness, I am just thrilled that you’ve managed to pursue ALL your major passions – music, writing, photography – with such success in all. (I’m sure your other passions are equally as rewarding.) Everything on your page (and I’m just barely into it) brings such a big smile to my face as I see hints of the 19-20 year old you peeking out with each click. And of course, the fact that you are an ensconced Brooklynite is the cherry on the cake. :-)

    And Liana, I love your post! You were always an amazing mom – and Pat an amazing dad – so I hope you both take a bit of credit for the incredible guy who emerged from your home. I was crazy about both of you and will never forget Pat buying my first tank of gas when I got my first car :-) Hope you both are well!

  3. Monday 06.10.2013 | 2:25 EST

    Liana Carey says:

    Wow, what can I say- he is my son.

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