/ sound + vision:

“a film is more like music than like fiction.” —Stanley Kubrik

New York Times: Best Performances
(and scariest hair) of the Decade

Sandra Bullock New York Times

Besides Sandra Bullock’s startling hair do, there’s more than a few good reasons to check out this tasteful little clip–celebrities are asked their pick for Best Performance of the Decade. There’s some predictably just answers (Kate Winslet, duh), but more often than not, this group of indie and A-list actors come up with some thoughtful, interesting choices. The fact that Cate Blanchett as Bob Dylan was not one of them still boggles the mind, but… there was one response in particular that caught my attention: Jake Gyllenhall chose “any performance by Peter Sarsgaard.” Abso-fucking-lutely. About time some one said it.

Now, whether this is nepotisim or not (his sis Maggie is married to Peter) I could care less. Sarsgaard consistently outperforms all others in small and headlining roles alike (check out Shattered Glass, Boys Don’t Cry, Mysteries of Pittsburgh, Kinsey and Until The End of the World, to start with). His measured, minimalist performances are as disciplined as any of Matt Damon’s work (after Syriana, The Good Shepherd and the Bourne films we can legitimately consider Ben Who-fleck’s ex-boyfriend a fine actor). So, if Damon is the “thinking man’s action hero,” then Sarsgaard is the thinking man’s…thinking man.

Watch the interviews on New York Times Video


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